The dynamic of the protagonist as a means of tightening up the dramatic conflict in Shakespeare’s plays of the 1590-and-1600s in general and in Othello in particular

Shakespeare’s drama discourse reveals itself in the dynamic of protagonist`s rapid maturity.1)The dynamic of the protagonists’ characters may be interpreted as the means of changing the early lyrical verse into dramatic poetry. 2)occasional accidents The plot of Shakespeare's Othello is largely taken from Giraldi Cinthio's Gli Hecatommithi, a tale of love, jealousy, and betrayal; however, the characters, themes, and attitudes of the works are vastly different, with Shakespeare's play being a more involved study of human nature and psychology. Othello is considered to be a prime example of Aristotelian drama; it focuses upon a very small cast of characters, one of the smallest used in Shakespeare, has few distractions from the main plot arc, and concentrates on just a few themes, like jealousy. AS such, it is one of the most intense and focused plays Shakespeare wrote. The character of Iago is a variation on the Vice figure found in earlier morality plays; he deviates from this model because of his lack of a clear motivation, and because of his portrayal as a very malignant figure. However, Iago is less of a character than a changeable device for the plot, and in this sense, he is a clear descendant of the omnipresent "vice" figure. Iago's great cunning, manipulative abilities, and almost supernatural perception mean that he is a very formidable foe, and this makes Othello's fall seem even more inevitable and tragic. One reason for the overwhelming popularity of the play throughout the ages is that it focuses on two people who defied society in order to follow their own hearts. Themes: Appearance vs. reality (Iago, Desdemona),Race(Othello's race sets him apart, and makes him very self-conscious; it makes him work hard and look carefully after his reputation, so he is regarded as equal to the white people that surround him.) Pride (e wants to appear powerful, accomplished, and moral at every possible instance, and when this is almost denied to him, his wounded pride becomes especially powerful)