With a slight electric shock, Michael realized they were talking about Paulie Gatto and that little Paulie was dead, murdered by that jolly wedding dancer, Clemenza. 2 page

5 "Thank you," Michael said. "I'll sit with him for a little while. OK?"

6 She smiled at him. "Just for a little bit and then I'm afraid you'll have to leave. It's the rules (правила), you know."

7 Michael went back into his father's room. He took the phone from its cradle and got the hospital operator to give him the house in Long Beach, the phone in the comer office room. Sonny answered. Michael whispered, "Sonny, I'm down at the hospital, I came down late. Sonny, there's nobody here. None of Tessio's people. No detectives at the door. The old man was completely unprotected." His voice was trembling.

8 There was a long silence and then Sonny's voice came, low and impressed, "This is Sollozzo's move (ход: «движение») you were talking about."

9 Michael said, "That's what I figured too. But how did he get the cops to clear everybody out and where did they go? What happened to Tessio's men? Jesus Christ, has that bastard Sollozzo got the New York Police Department in his pocket too?"

10 "Take it easy, kid." Sonny's voice was soothing. "We got lucky again with you going to visit the hospital so late. Stay in the old man's room. Lock the door from the inside. I'll have some men there inside of fifteen minutes, soon as I make some calls. Just sit tight and don't panic. OK, kid?"

11 "I won't panic," Michael said. For the first time since it had all started he felt a furious anger rising in him (яростный гнев), a cold hatred for his father's enemies (ненависть к врагам; hatred [‘heıtrıd]).

12 He hung up the phone and rang the buzzer for the nurse (звонок, кнопку вызова; to buzz – жужжать). He decided to use his own judgment (решил действовать по своему разумению) and disregard Sonny's orders (не принимать во внимание приказов, указаний Сонни). When the nurse came in he said, "I don't want you to get frightened, but we have to move my father right away. To another room or another floor. Can you disconnect all these tubes (отключить) so we can wheel the bed out?"

13 The nurse said, "That's ridiculous (смешно [rı’dıkjul∂s]). We have to get permission from the doctor (разрешение)."

14 Michael spoke very quickly. "You've read about my father in the papers. You've seen that there's no one here tonight to guard him. Now I've just gotten word some men will come into the hospital to kill him. Please believe me and help me." He could be extraordinarily persuasive (убедительным, убеждающим [p∂s'weısıv]; to persuade [p∂s'weıd] – убедить) when he wanted to be.

15 The nurse said, "We don't have to disconnect the tubes. We can wheel the stand with the bed."

16 "Do you have an empty room?" Michael whispered.

17 "At the end of the hall," the nurse said.

18 It was done in a matter of moments, very quickly and very efficiently. Then Michael said to the nurse, "Stay here with him until help comes. If you're outside at your station you might get hurt."

19 At that moment he heard his father's voice from the bed, hoarse (охрипший, сиплый [ho:s]) but full of strength, "Michael, is it you? What happened, what is it?"

20 Michael leaned over the bed. He took his father's hand in his. "It's Mike," he said. "Don't be afraid. Now listen, don't make any noise at all, especially if somebody calls out your name. Some people want to kill you, understand? But I'm here so don't be afraid."

21 Don Corleone, still not fully conscious (сознательный, сознающий [‘kon∫∂s]) of what had happened to him the day before, in terrible pain, yet smiled benevolently (все же улыбнулся благодушно, снисходительно: «благожелательно») on his youngest son, wanting to tell him, but it was too much effort (усилие [‘ef∂t]), "Why should I be afraid now? Strange men have come to kill me ever since I was twelve years old."

1 When Michael got out of the cab in front of the French Hospital he was surprised to see that the street was completely deserted. When he entered the hospital he was even more surprised to find the lobby empty. Damn it, what the hell were Clemenza and Tessio doing? Sure, they never went to West Point but they knew enough about tactics to have outposts. A couple of their men should have been in the lobby at least.

2 Even the latest visitors had departed, it was almost ten-thirty at night. Michael was tense and alert now. He didn't bother to stop at the information desk, he already knew his father's room number up on the fourth floor. He took the self-service elevator. Oddly enough nobody stopped him until he reached the nurses' station on the fourth floor. But he strode right past her query and on to his father's room. There was no one outside the door. Where the hell were the two detectives who were supposed to be waiting around to guard and question the old man? Where the hell were Tessio and Clemenza's people? Could there be someone inside the room? But the door was open. Michael went in. There was a figure in the bed and by the December moonlight straining through the window Michael could see his father's face. Even now it was impassive, the chest heaved shallowly with his uneven breath. Tubes hung from steel gallows beside the bed and ran into his nose. On the floor was a glass jar receiving the poisons emptied from his stomach by other tubes. Michael stayed there for a few moments to make sure his father was all right, then backed out of the room.

3 He told the nurse, "My name is Michael Corleone, I just want to sit with my father. What happened to the detectives who were supposed to be guarding him?"

4 The nurse was a pretty young thing with a great deal of confidence in the power of her office. "Oh, your father just had too many visitors, it interfered with the hospital service," she said. "The police came and made them all leave about ten minutes ago. And then just five minutes ago I had to call the detectives to the phone for an emergency alarm from their headquarters, and then they left too. But don't worry, I look in on your father often and I can hear any sound from his room. That's why we leave the doors open."

5 "Thank you," Michael said. "I'll sit with him for a little while. OK?"

6 She smiled at him. "Just for a little bit and then I'm afraid you'll have to leave. It's the rules, you know."

7 Michael went back into his father's room. He took the phone from its cradle and got the hospital operator to give him the house in Long Beach, the phone in the comer office room. Sonny answered. Michael whispered, "Sonny, I'm down at the hospital, I came down late. Sonny, there's nobody here. None of Tessio's people. No detectives at the door. The old man was completely unprotected." His voice was trembling.

8 There was a long silence and then Sonny's voice came, low and impressed, "This is Sollozzo's move you were talking about."

9 Michael said, "That's what I figured too. But how did he get the cops to clear everybody out and where did they go? What happened to Tessio's men? Jesus Christ, has that bastard Sollozzo got the New York Police Department in his pocket too?"

10"Take it easy, kid." Sonny's voice was soothing. "We got lucky again with you going to visit the hospital so late. Stay in the old man's room. Lock the door from the inside. I'll have some men there inside of fifteen minutes, soon as I make some calls. Just sit tight and don't panic. OK, kid?"

11 "I won't panic," Michael said. For the first time since it had all started he felt a furious anger rising in him, a cold hatred for his father's enemies.

12 He hung up the phone and rang the buzzer for the nurse. He decided to use his own judgment and disregard Sonny's orders. When the nurse came in he said, "I don't want you to get frightened, but we have to move my father right away. To another room or another floor. Can you disconnect all these tubes so we can wheel the bed out?"

13 The nurse said, "That's ridiculous. We have to get permission from the doctor."

14 Michael spoke very quickly. "You've read about my father in the papers. You've seen that there's no one here tonight to guard him. Now I've just gotten word some men will come into the hospital to kill him. Please believe me and help me." He could be extraordinarily persuasive when he wanted to be.

15 The nurse said, "We don't have to disconnect the tubes. We can wheel the stand with the bed."

16 "Do you have an empty room?" Michael whispered.

17 "At the end of the hall," the nurse said.

18 It was done in a matter of moments, very quickly and very efficiently. Then Michael said to the nurse, "Stay here with him until help comes. If you're outside at your station you might get hurt."

19 At that moment he heard his father's voice from the bed, hoarse but full of strength, "Michael, is it you? What happened, what is it?"

20 Michael leaned over the bed. He took his father's hand in his. "It's Mike," he said. "Don't be afraid. Now listen, don't make any noise at all, especially if somebody calls out your name. Some people want to kill you, understand? But I'm here so don't be afraid."

21 Don Corleone, still not fully conscious of what had happened to him the day before, in terrible pain, yet smiled benevolently on his youngest son, wanting to tell him, but it was too much effort, "Why should I be afraid now? Strange men have come to kill me ever since I was twelve years old."

(Примечание для редакции: с этого момента весь комментарий идет в сносках внизу страницы.)

Chapter 10

The hospital was small and private with just one entrance. Michael looked through the window down into the street. There was a curved courtyard that had steps leading down into the street and the street was empty of cars. But whoever came into the hospital would have to come through that entrance. He knew he didn't have much time so he ran out of the room and down the four flights and through the wide doors of the ground floor entrance. Off to the side he saw the ambulance yard and there was no car there, no ambulances either.

Michael stood on the sidewalk outside the hospital and lit a cigarette. He unbuttoned his coat and stood in the light of a lamppost so that his features could be seen. A young man was walking swiftly down from Ninth Avenue, a package under his arm. The young man wore a combat jacket and had a heavy shock (копна, скирда) of black hair. His face was familiar when he came under the lamplight but Michael could not place it. But the young man stopped in front of him and put out his hand, saying in a heavy Italian accent, "Don Michael, do you remember me? Enzo, the baker's helper to Nazorine the Paniterra; his son-in-law. Your father saved my life by getting the government to let me stay in America."

Michael shook his hand. He remembered him now. Enzo went on, "I've come to pay my respects to your father. Will they let me into the hospital so late?"

Michael smiled and shook his head. "No, but thanks anyway. I'll tell the Don you came." A car came roaring down the street and Michael was instantly alert. He said to Enzo, "Leave here quickly. There may be trouble. You don't want to get involved with the police."

He saw the look of fear on the young Italian's face. Trouble with the police might mean being deported or refusal of citizenship. But the young man stood fast. He whispered in Italian. "If there's trouble I'll stay to help. I owe it to the Godfather."

Michael was touched. He was about to tell the young man to go away again, but then he thought, why not let him stay? Two men in front of the hospital might scare off any of Sollozzo's crew sent to do a job. One man almost certainly would not. He gave Enzo a cigarette and lit it for him. They both stood under the lamppost in the cold December night. The yellow panes (pane – оконное стекло; панель) of the hospital, bisected (разделенные, разрезанные надвое) by the greens of Christmas decorations, twinkled down on them. They had almost finished their cigarettes when a long low black car turned into 30th Street from Ninth A venue and cruised (to cruise [kru:z] – совершать круиз, курсировать; промчаться) toward them, very close to the curb. It almost stopped. Michael peered to see their faces inside, his body flinching involuntarily. The car seemed about to stop, then speeded forward. Somebody had recognized him. Michael gave Enzo another cigarette and noticed that the baker's hands were shaking. To his surprise his own hands were steady.

They stayed in the street smoking for what was no more than ten minutes when suddenly the night air was split by a police siren. A patrol car made a screaming turn from Ninth Avenue and pulled up in front of the hospital. Two more squad (группа, команда) cars followed right behind it. Suddenly the hospital entranceway was flooded with uniformed police and detectives. Michael heaved a sigh of relief. Good old Sonny must have gotten through right away. He moved forward to meet them.

Two huge, burly policemen grabbed his arms. Another frisked him. A massive police captain, gold braid on his cap, came up the steps, his men parting respectfully to leave a path. He was a vigorous man for his girth (подпруга; обхват /талии/) and despite the white hair that peeked out of his cap. His face was beefy red. He came up to Michael and said harshly, "I thought I got all you guinea hoods locked up. Who the hell are you and what are you doing here?"

One of the cops standing beside Michael said, "He's clean, Captain."

Michael didn't answer. He was studying this police captain, coldly searching his face, the metallic blue eyes. A detective in plain clothes said, "That's Michael Corleone, the Don's son."

Michael said quietly, "What happened to the detectives who were supposed to be guarding my father? Who pulled them off that detail (наряд, расчет, команда)?"

The police captain was choleric with rage. "You fucking hood, who the hell are you to tell me my business? I pulled them off. I don't give a shit how many dago (даго – произвище итальянца, испанца, португальца) gangsters kill each other. If it was up to me (если бы это зависело от меня), I wouldn't lift a finger to keep your old man from getting knocked off. Now get the hell out of here. Get out of this street, you punk, and stay out of this hospital when it's not visiting hours."

Michael was still studying him intently. He was not angry at what this police captain was saying. His mind was racing furiously. Was it possible that Sollozzo had been in that first car and had seen him standing in front of the hospital? Was it possible that Sollozzo had then called this captain and said, "How come the Corleones' men are still around the hospital when I paid you to lock them up?" Was it possible that all had been carefully planned as Sonny had said? Everything fitted in. Still cool, he said to the captain, "I'm not leaving this hospital until you put guards around my father's room."

The captain didn't bother answering. He said to the detective standing beside him, "Phil, lock this punk up."

The detective said hesitantly, "The kid is clean, Captain. He's a war hero and he's never been mixed up in the rackets. The papers could make a stink."

The captain started to turn on the detective, his face red with fury. He roared out, "Goddamn it, I said lock him up."

Michael, still thinking clearly, not angry, said with deliberate malice (злоба ['mælıs]), "How much is the Turk paying you to set my father up, Captain?"

The police captain turned to him. He said to the two burly patrolmen, "Hold him." Michael felt his arms pinned to his sides. He saw the captain's massive fist arching (arch – дуга; to arch – изгибаться дугой) toward his face. He tried to weave away (отклониться; to weave – ткать, плести; качаться, отклоняться) but the fist caught him high on the cheekbone. A grenade exploded in his skull. His mouth filled with blood and small hard bones that he realized were his teeth. He could feel the side of his head puff up as if it were filling with air. His legs were weightless and he would have fallen if the two policemen had not held him up. But he was still conscious. The plainclothes detective had stepped in front of him to keep the captain from hitting him again and was saying, "Jesus Christ, Captain, you really hurt him."

The captain said loudly, "I didn't touch him. He attacked me and he fell. Do you understand that? He resisted arrest."

Through a red haze (легкий туман, дымка) Michael could see more cars pulling up to the curb. Men were getting out. One of them he recognized as Clemenza's lawyer, who was now speaking to the police captain, suavely (suave [swα:v] – учтивый, обходительный) and surely. "The Corleone Family has hired a firm of private detectives to guard Mr. Corleone. These men with me are licensed to carry firearms, Captain. If you arrest them, you'll have to appear before a judge in the morning and tell him why."

The lawyer glanced at Michael. "Do you want to prefer (выдвинуть /требование, обвинение/) charges (обвинения) against whoever did this to you?" he asked.

Michael had trouble talking. His jaws wouldn't come together but he managed to mumble. "I slipped," he said. "I slipped and fell." He saw the captain give him a triumphant glance and he tried to answer that glance with a smile. At all costs he wanted to hide the delicious icy chilliness that controlled his brain, the surge of wintry cold hatred that pervaded his body. He wanted to give no warning to anyone in this world as to how he felt at this moment. As the Don would not. Then he felt himself carried into the hospital and he lost consciousness.

When he woke up in the morning he found that his jaw had been wired together and that four of his teeth along the left side of his mouth were missing. Hagen was sitting beside his bed.

"Did they drug me up?" Michael asked.

"Yeah," Hagen said. "They had to dig some bone fragments out of your gums (десны) and they figured it would be too painful. Besides you were practically out anyway."

"Is there anything else wrong with me?" Michael asked.

"No," Hagen said. "Sonny wants you out at the Long Beach house. Think you can make it?"

"Sure," Michael said. "Is the Don all right?"

Hagen flushed. "I think we've solved the problem now. We have a firm of private detectives and we have the whole area loaded. I'll tell you more when we get in the car."

Clemenza was driving, Michael and Hagen sat in the back. Michael's head throbbed (to throb – сильно биться, пульсировать). "So what the hell really happened last night, did you guys ever find out?"

Hagen spoke quietly. "Sonny has an inside man, that Detective Phillips who tried to protect you. He gave us the scoop (лопатка, совок, черпак; сенсационная новость; здесь – информация). The police captain, McCluskey, is a guy who's been on the take (to be on the take – брать взятки) very heavy ever since he's been a patrolman. Our Family has paid him quite a bit. And he's greedy and untrustworthy (ненадежный, не заслуживающий доверия) to do business with. But Sollozzo must have paid him a big price. McCluskey had all Tessio's men around and in the hospital arrested right after visiting hours. It didn't help that some of them were carrying guns. Then McCluskey pulled the official guard detectives off the Don's door. Claimed he needed them and that some other cops were supposed to go over and take their place but they got their assignments bollixed (to bollix – испортить, изгадить /напр. работу/). Baloney (вздор, чепуха /сленг/ [b∂'l∂unı]). He was paid off to set the Don up. And Phillips said he's the kind of guy who'll try it again. Sollozzo must have given him a fortune for openers and promised him the moon to come."

"Was my getting hurt in the papers?"

"No," Hagen said. "We kept that quiet. Nobody wants that known. Not the cops. Not us."

"Good," Michael said. "Did that boy Enzo get away?"

"Yeah," Hagen said. "He was smarter than you. When the cops came he disappeared. He claims he stuck with you while Sollozzo's car went by. Is that true?"

"Yeah," Michael said. "He's a good kid."

"He'll be taken care of," Hagen said. "You feeling OK?" His face was concerned. "You look lousy (паршиво, отвратительно: «вшиво»)."

"I'm OK," Michael said. "What was that police captain's' name?"

"McCluskey," Hagen said. "By the way, it might make you feel better to know that the Corleone Family finally got up on the scoreboard (на табло; score – зарубка; счет очков). Bruno Tattaglia, four o'clock this morning."

Michael sat up. "How come (как так)? I thought we were supposed to sit tight."

Hagen shrugged. "After what happened at the hospital Sonny got hard. The button men are out all over New York and New Jersey. We made the list last night. I'm trying to hold Sonny in, Mike. Maybe you can talk to him. This whole business can still be settled without a major war."

"I'll talk to him," Michael said. "Is there a conference this morning?"

"Yeah," Hagen said. "Sollozzo finally got in touch and wants to sit down with us. A negotiator is arranging the details. That means we win. Sollozzo knows he's lost and he wants to get out with his life." Hagen paused. "Maybe he thought we were soft, ready to be taken, because we didn't strike back. Now with one of the Tattaglia sons dead he knows we mean business. He really took an awful gamble bucking (to buck – становиться на дыбы, взбрыкивать /пытаясь сбросить седока/) the Don. By the way, we got the confirmation on Luca. They killed him the night before they shot your father. In Bruno's nightclub. Imagine that?"

Michael said, "No wonder they caught him off guard."

At the houses in Long Beach the entrance to the mall was blocked by a long black car parked across its mouth. Two men leaned against the hood (капюшон; капот /автомобиля/) of the car. The two houses on each side, Michael noticed, had opened windows on their upper floors. Christ, Sonny must really mean business.

Clemenza parked the car outside the mall and they walked inside it. The two guards were Clemenza's men and he gave them a frown of greeting that served as a salute. The men nodded their heads in acknowledgment. There were no smiles, no greetings. Clemenza led Hagen and Michael Corleone into the house.

The door was opened by another guard before they rang. He had obviously been watching from a window.

They went to the corner office and found Sonny and Tessio waiting for them. Sonny came to Michael, took his younger brother's head in his hands and said kiddingly, "Beautiful. Beautiful." Michael knocked his hands away, and went to the desk and poured himself some scotch, hoping it would dull the ache (притупит боль; ache [eık]) in his wired jaw.

The five of them sat around the room but the atmosphere was different than their earlier meetings. Sonny was gayer, more cheerful, and Michael realized what that gaiety meant. There were no longer any doubts in his older brother's mind. He was committed (принял решение, ввязался) and nothing would sway (поколебать) him. The attempt by Sollozzo the night before was the final straw (последней соломинкой = последней каплей). There could no longer be any question of a truce (перемирие).

"We got a call from the negotiator while you were gone," Sonny said to Hagen. "The Turk wants a meeting now." Sonny laughed. "The balls on that son of a bitch," he said admiringly. "After he craps out (to crap out – проигрывать; crap – дерьмо; to crap – изгадить, испортить) last night he wants a meeting today or the next day. Meanwhile we're supposed just to lay back and take everything he dishes out (предложит; to dish – подавать еду, раскладывать по тарелкам). What fucking nerve."

Tom asked cautiously. "What did you answer?"

Sonny grinned. "I said sure, why not? Anytime he says, I'm in no hurry. I've got a hundred button men out on the street twenty-four hours a day. If Sollozzo shows one hair on his asshole he's dead. Let them take all the time they want."

Hagen said, "Was there a definite proposal?"

"Yeah," Sonny said. "He wants us to send Mike to meet him to hear his proposition. The negotiator guarantees Mike's safety. Sollozzo doesn't ask us to guarantee his safety, he knows he can't ask that. No point. So the meeting will be arranged on his side. His people will pick Mike up and take Mike to the meeting place. Mike will listen to Sollozzo and then they'll turn him loose. But the meeting place is secret. The promise is the deal will be so good we can't turn it down."

Hagen asked, "What about the Tattaglias! What will they do about Bruno?"

"That's part of the deal. The negotiator says the Tattaglia Family has agreed to go along with Sollozzo. They'll forget about Bruno Tattaglia. He pays for what they did to my father. One cancels out (to cancel – вычеркивать, аннулировать) the other." Sonny laughed again. "The nervy (смелый, волевой) bastards."

Hagen said cautiously, "We should hear what they have to say."

Sonny shook his head from side to side. "No, no, Consigliori, not this time." His voice held a faint trace of Italian accent. He was consciously mocking his father just to kid around (высмеивать, подшучивать). "No more meetings. No more discussions. No more Sollozzo tricks. When the negotiator gets in touch with us again for our answer I want you to give him one message. I want Sollozzo. If not, it's all-out war. We'll go to the mattresses and we'll put all the button men out on the street. Business will just have to suffer."

"The other Families won't stand for an all-out war," Hagen said. "It puts too much heat on everybody."

Sonny shrugged. "They have a simple solution (решение /проблемы/). Give me Sollozzo. Or fight the Corleone Family." Sonny paused, then said roughly, "No more advice on how to patch it up (patch – клочок, лоскут; to patch up – латать, ставить заплаты), Tom. The decision is made. Your job is to help me win. Understand?"

Hagen bowed his head. He was deep in thought for a moment. Then he said, "I spoke to your contact in the police station. He says that Captain McCluskey is definitely on Sollozzo's payroll and for big money. Not only that, but McCluskey is going to get a piece of the drug operation. McCluskey has agreed to be Sollozzo's bodyguard. The Turk doesn't poke his nose out of his hole without McCluskey. When he meets Mike for the conference, McCluskey will be sitting beside him. In civilian clothes but carrying his gun. Now what you have to understand, Sonny, is that while Sollozzo is guarded like this, he's invulnerable. Nobody has ever gunned down a New York police captain and gotten away with it. The heat in this town would be unbearable what with the newspapers, the whole police department, the churches, everything. That would be disastrous. The Families would be after you. The Corleone Family would become outcasts. Even the old man's political protection would run for cover. So take that into consideration (прими в расчет, в размышление)."

Sonny shrugged. "McCluskey can't stay with the Turk forever. We'll wait."

Tessio and Clemenza were puffing on their cigars uneasily, not daring to speak, but sweating. It would be their skins that would go on the line if the wrong decision was made.

Michael spoke for the first time. He asked Hagen, "Can the old man be moved out of the hospital onto the mall here?"

Hagen shook his head. "That's the first thing I asked. Impossible. He's in very bad shape. He'll pull through but he needs all kinds of attention, maybe some more surgery (операция, хирургическое вмешательство). Impossible."

"Then you have to get Sollozzo right away," Michael said. "We can't wait. The guy is too dangerous. He'll come up with some new idea. Remember, the key is still that he gets rid of the old man. He knows that. OK, he knows that now it's very tough so he's willing to take defeat for his life. But if he's going to get killed anyway, he'll have another crack (нанесет удар) at the Don. And with that police captain helping him who knows what the hell might happen. We can't take that chance. We have to get Sollozzo right away."