Michael Connelly

On paper it seemed like a cool idea. Bring Patrick Kenzie and Harry Bosch together in a short story for a good cause. But Dennis Lehane and Michael Connelly quickly realized that it was easier said than done. Both characters are rooted in the verisimilitude of the places they live and the jobs they carry out. They’re fictional, sure, but their creators had worked hard to ensure that neither ever made a false move. In short, Harry Bosch and Patrick Kenzie live or die with readers on the basis of their believability. No gimmick short story – good cause or not – could be allowed to mess with that.

So how would these two iconic characters come together?

Most important, who would come to whom?

Would Bosch go east to Kenzie’s Boston, or would Boston come to LA?

It seemed from the start the natural thing would be to send Bosch east. In the most recent Bosch books Harry works for the LAPD’s Open‑Unsolved Unit, a cold case squad that, by its nature, involves travel. When people think they’ve gotten away with murder, part of that getaway is moving away. Since many of Bosch’s investigations have led him out of town, it was decided. Bosch would go to Boston and, while on a case, would cross paths with Kenzie.

Michael started the story in Los Angeles, formulating a crime and a case that Bosch would work several years after it occurred. He would trace a suspect to Boston, travel there to observe, and surreptitiously gather a DNA sample from a discarded coffee cup or a tossed cigarette butt. Once there, he’d cross the radar of Patrick Kenzie, who was working his own investigation, only for different reasons.

Michael wrote the first six pages of the story and a few more containing potential angles of exploration. He e‑mailed the package to Dennis, suggesting he add another six pages or so and finish the story. Quick and easy. They’d be done, then back to work on their own stuff in a few days.

Michael waited for a reply.

Then, he waited some more.

A few days turned into a few weeks.

He finally dummied up an e‑mail saying he’d had Internet issues and just wanted to see if his start of the story had been received. When Dennis responded it was with a finished tale, adding twenty more pages, evolving the plot from the shorthand to the complex and humorous.

So here it is, the first face‑off.